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Resource Roundup (May 2010) - Awesome Apps for Musicians
by claybutlermusic on May.13, 2010, under Career Building, For Businesses, Marketing & Promotion, Reviews, Uncategorized
It’s time for a new Resource Roundup! So many awesome apps, gizmos, and gadgets are hitting the market that appeal to musicians. Here are a couple:
Accept Credit Cards at Gigs with your Smart Phone
Poised to revolutionize the way indie musicians do business, Square allows you to accept credit and debit cards right from your iPhone, iPod Touch, iPad, or Android. Simply sign up for the service by downloading the app, and they send you a card swiper attachment that plugs into the audio input of your device.
Rock Out with your Pod Out…iPod, that is.
Being a guitarist, I’ve been waiting for an app that I can use to get great guitar tones on the road and on the fly. Enter iRig by AmpliTube. The app installs on your iPhone, iPad, or iPod touch. The modeling sounds great, the interface looks great, and it’s surprisingly intuitive. There’s a small guitar interface jack that plugs into your audio input, which costs around $40. It’s not released yet, but you can preorder iRig from IK Multimedia’s website.
Guitar Toolkit
Agile Partners has released a killer iPhone app, Guitar Toolkit. This one’s a definite must-have! For about 10 bucks, the app boasts the following:
- Tuner, complete with custom tunings
- Metronome
- Scale library
- Chord Library
- Chord Finder - you play the chord, Chord Finder tells you what it is
- Supported instruments include 6- and 12-string guitar; 4-, 5-, and 6-string bass, banjo; mandolin, and ukulele
- “Lefty Mode” for southpaw players
Have you found any cool tools recently? Comment and let us know!
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Quick Thoughts Archive from our Facebook Fan Page
by claybutlermusic on Apr.24, 2010, under Band Management, Career Building, For Businesses, For Educators, For Worship, Marketing & Promotion, Music Theory, Recording, Uncategorized
As many of you may already know, the MusicIsMyBiz Blog also has a Facebook page. In addition to alerts when there’s new blog post or article, I also interject some “Quick Thoughts of the Day”. Some are inspirational. Some are educational. Some are simply probing questions to get you thinking. I thought it would be fun to post these here on the blog as an archive of sorts.
February 2, 2010
Thought of the day: “Lack of preparation clouds your purpose.”
February 4, 2010
Self-Reflection Question of the Day: “What’s holding you back from reaching your full potential?”
February 13, 2010
Tip for the day: Remember to spend time honing your craft. Great production work doesn’t make up for bad playing or songwriting. A pig in a dress is still a pig!
February 23, 2010
Success is your own fault! You never grow until you learn to take responsibility for your successes and your failures.
March 5, 2010
While having “a good voice and a dream” is a starting point, make no mistake; the music business isn’t at all easy. What else you got?
March 18. 2010
Thought for the day: Never assume you have arrived. You can always strive to be better. The moment you stop pushing forward is the moment you appear to be moving backward to those who are committed to forging ahead!
March 26, 2010
Don’t be disappointed when someone declines your services because they “aren’t cheap”. This just means that their needs don’t match the value of your services. Your talent, expertise, and time are valuable!
April 15, 2010
Quick thought for the day: There’s a distinct difference between the roles of manager and booking agent. Your manager should understand the workings of the music industry. He should know where “the money” comes from in music, where it goes, and how to protect yourself. If he doesn’t, he shouldn’t be your manager.
April 16, 2010
Remember that anyone who has a vested interest in your success by helping you succeed will want a return on their investment. It’s only fair, and it’s how the music biz works. If someone helps you to succeed, then he shares in your success. He’ll also have incentive to work harder for you.
April 23, 2010
Quick thought for the day: If you’re thinking about “breaking into the biz”, learn as much as you can FIRST. You don’t become a doctor without going to med school. You don’t become an auto mechanic without learning how to work on cars. So, what makes someone think they can become a songwriter or artist without lear…ning the craft AND business?
If you haven’t yet become a fan (now “like”), go ahead and do it now by going to www.facebook.com/MusicIsMyBiz! Then tell all your Facebook friends.
Do you have any Quick Thoughts you’d like to share? Post yours in in the comments section!
The Importance of Staying Organized in the Recording Studio
by claybutlermusic on Apr.09, 2010, under Band Management, Career Building, Recording, Uncategorized
A while back, I wrote about my efforts to make my home studio more ergonomic and my workspace more organized. Today, I want to take that concept one step further and talk about informational organization.
Right now I’m teaching a recording class at a local college, and the students’ task is to produce a song demo for a songwriter. So far, I’ve noticed the old notion that musicians are the least organized people on the face of the planet. What’s worse, is that I find that I, myself, fall into that same category when it comes to producing a project. It seems that I have to force myself to do the small organizational tasks that ultimately help increase productivity in the end.
So, I’m going to share a few organizational necessities with you guys (and gals) to help you on your next recording session. I wrote about some of these in my book, Recording Basics: A Beginner’s Guide to Producing Music, but I feel it important to go into a little detail on the blog as well.
Recording Budget
The recording budget is perhaps the most important guide in a recording project. Even if it’s a small project, a budget helps you stay on track with how much you’re spending and where the money is going. Having a detailed budget form helps you to see certain expenses that you may not have thought of, like equipment cartage or album art.
Song Arrangement Matrix
When you’ve written a song, it’s a good idea to know what your arrangement will be for that particular song before you start recording. NEVER jump into recording a song without spending a decent amount of time fleshing out your arrangement. At the very least, decide when certain instruments play or drop out. Use a song arrangement matrix, which is essentially a grid that has blocks for each song section by instrument. Shade in each section (verse, chorus, bridge, etc.) which gets played by each instrument.
Track Sheets
Track sheets are vitally important to a recording session. We’re all tempted to think that we’ll remember every detail of a recording session, like which channel is Johnny’s guitar and which one is Bill’s, or that flub the bassist made in measure 149, but the truth is we simply forget those things. It may be weeks before a song gets edited after a session. Track sheets help you keep track of those important details.
Recording Session Checklist
It happens to us all. We drive an hour and a half to the studio only to realize that we’ve forgotten our [insert vitally important item here]. Use a checklist to make sure you have all the essentials and extras that you want to have handy. Include the even the littlest things like picks, sticks, strings, batteries, and a camera.
Equipment Inventory
Similar to the checklist, be sure to make an inventory of each piece of gear that you take to the studio. Not only will you see what you need (or what you may be missing) before you leave for the studio, it will ensure you keep track of what you must take with you from the studio. After an exhaustive eight-hour session, you might not be as alert, so check your equipment against your inventory to make sure you leave with everything.
Check this out!
After falling victim to a few of the aforementioned pitfalls, and after seeing my students do the same, I’ve created package of all these necessities called The Recording Session Toolkit. Now you can have easy access to budget forms, track sheets, song arrangement matrices, checklists, and inventories all in one place. I’ve done the work for you. Simply fill them out and put them in your project notebook. I’ve even included a handy studio prep guide to help you and your band get the most mileage out of your recording studio time. Try it out. Download it before your next recording session. I guarantee it will help you get the most out of your recording project!
3 Secret Weapons for Marketing your Small Business
by claybutlermusic on Mar.29, 2010, under Career Building, For Businesses, Marketing & Promotion, Uncategorized
This post is for business and musician alike. While this post might not seem like something musicians may benefit from on the surface, the following information is something that everyone who is actively involved in selling themselves, their services, their products, or their business can learn from. It’s important to keep in mind that, if you’re a musician, you’re also a small business. You have to promote yourself just like any other business.
Businesses are often saddled with the task of having to market on little or no budget. This is the case whether you’re just starting out, or if you’re already established. Marketing is a necessity!
The video series below is designed to help you market your small business with YouTube videos, Jingles, and On-Hold Messages.
If you need help with marketing your business using Jingles or On Hold messages, or if you need a voiceover for your YouTube video, Butler Productions Multimedia can help!
Good luck promoting your business!
What Else You Got?
by claybutlermusic on Mar.05, 2010, under Band Management, Career Building, Marketing & Promotion, Uncategorized
Here lately, I’ve been busy recording and consulting young bands, aspiring songwriters, and singers who are eager to “break into the music business”. Besides being fairly talented, they all have one thing in common: they all have absolutely NO idea how the music industry works.
As with most of us who make music for a living, many of them think their music is the greatest thing since sliced bread. The problem lies that they’re then unwilling to take advice on how to make their music better (read: more competitive). They wrote their “baby” in a moment of inspiration. It’s gold. That’s that. This attitude is not only amateurish, but it’s childish as well. Now, I’m not saying that much of their music isn’t good, but the music business is inundated with artists, bands, and songwriters who are “just good”. To compete, you must be great. Your music must be great. Your image must be great.
Study! Before you decide to dive into the shark infested waters of the music biz, you have to know exactly what you’re getting into so you won’t get eaten alive. Okay, I exaggerate a bit. Just not much. Before you expect to have any success in anything, be it business, science, technology, medicine, etc., you must understand your particular field inside and out. That’s exactly why people seeking any particular career path go to college. Education makes sure you’re at least somewhat prepared for entering your career. Music is no different.
Know your rights. Learn how copyrights work and where your money comes from as a writer or artist. Horror stories abound of bands and artists who were taken advantage of because they were ignorant of income opportunities, or, worse yet, they signed away those rights in shady contracts.
Educate yourself on contracts. Always consult an attorney before you sign anything, but at least help yourself by being familiar with contractual “norms” and how to read them. Know that contracts are a give-and-take type of thing. You likely wont get exactly what you want out of the deal, but know that the other party should be giving up certain things as well. It’s all about compromise.
Be prepared for failure. Say this with me: “No one owes me anything.” One more time. Good, now say it a thousand more times so that it sticks. Chances are you will knock on a hundred proverbial doors before someone lets you in. You may not even be let in. Your demos WILL sit on someone’s desk (if they even make it to the desk) amid a sea of SeaDs CDs from other people. They may not get listened to. If someone likes your music, you may get a call (which could be months, or even years, down the road). Just don’t expect them to call you back if they don’t like it. They’re just too busy for that. In the Music Biz, generally no news is bad news.
It ain’t about you. I could make you say this one a thousand times, too. Unless you just rub someone the wrong way, a rejection is not personal. It’s purely a business decision. After all, we’re all participating in the music business, right? There are scores of reasons why you may face rejection. Your songwriting or singing skills may not be strong enough yet. You may not fit their image. They may already have artists on their roster that are just like you. Once you start to work with music on a professional level, music ceases to be about art and becomes a commodity. Your music and your image is solely used to make money for someone else. Then, if they make money, you can reap some of the benefits of their success. Just don’t make the mistake of thinking that “you’re gonna get yours before they get theirs.” Remember, until you are making money for someone else, you have no leverage over them.
Talent can only carry you so far. You may be a fabulously talented singer or band, but if you don’t take responsibility for your own successes (or failures), then you can never expect to make it in the music industry. Your manager can’t do it for you. Your agent can’t do it for you. Your label can’t do it for you. All of these are avenues to help you succeed. In fact, don’t even go to them first. Learn to be successful without these other people, and your potential for greater success is much higher. If you’re successful on your own, these people will take notice and come to you. Then, if you feel they will help you to succeed further, make use of them. Remember, those who help you succeed are seeking their own success as well.
I don’t say any of this to scare any of you away from the music business. I am, on the other hand, saying it to scare some sense into you. Educate yourself. Prepare. Take responsibility for your successes and failures. While having “a good voice and a dream” is a good starting point, make no mistake; the music business isn’t at all easy. What else you got?
A Web-based Sequencer?
by claybutlermusic on Feb.24, 2010, under Career Building, For Educators, Recording, Reviews, Uncategorized
I was searching around the ‘net today for cool tools, and I found something that I never would have thought of, a web-based sequencer. That’s exactly what I found in Soundation Studio. The interface itself looks remarkably like a cross between GarageBand and Fruity Loops. While it’s not quite as feature rich as those programs, it does boast a library of over 400 loops, three synthesizers, a drum machine, and 11 real-time effects. Best of all, it’s completely free!
Users can mix loops and utilize track automation. Once the mix is complete, simply bounce it down to a wave file. One interesting feature is the ability to host your creations as an mp3 file online and direct your friends to a specific URL. Also, you can embed your audio in much the same way you do with YouTube videos.
As a creation tool, Soundation Studio opens up worlds of opportunities. Not only does it present musicians with a place to create from anywhere in the world, any time the muse strikes, but it’s also a great introduction to the world of sequencing and loops. Soundation Studio could be used in the home or in the classroom.
Check it out. Let us know your thoughts. How could you use Soundation Studio?
Create a Buzz for your Music with Self-Piracy
by claybutlermusic on Feb.18, 2010, under Band Management, Career Building, Marketing & Promotion, Uncategorized
Have you ever thought that giving your music away for free will help to actually increase sales? It’s true. On top of that, and perhaps more importantly, it will help to solidify fan loyalty.
In truth, no matter how hard we try to keep online music thieves from ripping our music, some persistent pirate is bound to find a way. Whether by way of P2P filesharing, rips of streams, or YouTube videos, someone is going to find a way to get something for nothing. Why not preempt them by offering music for free?
Free music adds value. It seems a bit counter-intuitive to think that giving something away will actually add value to your music, but it in fact does just that. Primarily, it’s a gesture of good will to your fans. It’s an outward sign that you care about your fans. If you include other goodies, such as album art, and ID3 tags, then they’re actually getting a better (and safer) deal than from a P2P software.
Free music is a portal. It serves to bring potential customers, both new and previous buyers, to your site. It helps to generate interest in or, at the very least, awareness of, your music. Many a band encouraged piracy in the form of bootlegging in order to create a buzz about their music in their early years.
Limited-time freebies create a sense of urgency. By only offering portions of your catalog for a short window of opportunity, you’re creating urgency in the mind of your potential customers. This can be a valuable tool for several reasons. You can use it to create an awareness fast. You can bring in an influx of visitors to your site, which is good coupled with other sales opportunities.
Here’s an example. AfterEdmund, a surprisingly savvy yet incredibly talented Christian rock act, is working on their sophomore album. To get a buzz going, for one week, they blasted their various social media network presences (Facebook, MySpace, Twitter, and YouTube) with details on a free download of one of the new singles. After then, the offer disappeared. Doing so not only helped to pull fans to their website, but it also built interest and anticipation for the new album. These guys are a great study on self-marketing and -promotion. Keep an eye out for MusicIsMyBiz’s interview with AfterEdmund, coming up soon. In the meantime, check out their debut album, Hello.
Have you offered your music for free? What were your results? Comment and share your thoughts.
Resource Round-Up (Feb 2010)
by claybutlermusic on Feb.16, 2010, under Band Management, Career Building, Marketing & Promotion, Uncategorized
Anyone familiar with ProBlogger.net is familiar with Darren Rowse’s “Speedlinking”. Every so often, he’ll post a collection of useful links. Here’s the first one for MusicIsMyBiz. I shall call it “Resource Round-Up”.
- The Musician’s Guide to Facebook. Facebook apps for your band’s fan page.
- 9 Places to Find Affordable Graphic Design. Web resources for outsourcing your graphic design.
- Online Music Marketing: 38 Metrics and 7 Tools To Measure ROI. See the effectiveness of your music marketing.
- The Music Broker Network. A forum-type Q&A site where you can ask music industry question.
- Merch One Stop Shop. Hassle free merch management.
- TuneVid. Produce indie music videos via the web.
7 Ways to Destroy Your Music Career
by claybutlermusic on Feb.10, 2010, under Band Management, Career Building, Marketing & Promotion, Uncategorized
In our last post, I gave you the Secrets to NOT Getting Booked for a Gig. Today I ran across a post on Bob Baker’s Music Promotion Blog that I would be completely remiss if I didn’t share with you all.
7 Ways to Destroy Your Music Career
It’s a humorous take on the practices that keep bands and musicians in failure mode. Shamefully, I can say that I’ve been guilty of a few of these myself in the past. I still struggle with a couple in particular.
How many of these have you been guilty of?
Secrets to NOT Getting Booked for a Gig.
by claybutlermusic on Feb.08, 2010, under Band Management, Career Building, Marketing & Promotion, Uncategorized
You’ve seen the tips on how to get booked for a gig. But I bet you haven’t seen the secrets of how to NOT get booked (or booked again) by a club or venue. Here are seven sure-fire ways to ensure that you won’t get a call to perform:
1.) Don’t give them a complete press kit. Venues and club owners want to know what they’re getting when they book you. While CDs are a given, most venues would like to see a bio, press clips, or fact sheet.
2.) Don’t put your contact info on everything. Press kits get misplaced and separated from CDs. If the venue loves your music and wants to book you, but your contact info isn’t on your demo, then you can bet you won’t get the call back.
3.) Don’t follow up. Club owners get busy. After all, they do have a business to run. If you don’t get called back after a reasonable time, it may not always be because they don’t like you. They may not have gotten around to listening to the demo, or they may have forgotten to get in touch with you. Out of sight, sometimes really is out of mind. So not following up with leads may just make you lose that gig.
4.) Don’t start on time. Fashionably late doesn’t exist when it comes to gigs. Similarly, taking breaks that are too frequent or too long are deal-breakers. Crowds get antsy. Owners get antsy. Keep them waiting, and you likely won’t get hired back.
5.) Don’t fill the venue. Club owners really don’t care about your music. They care about filling their establishment with PAYING patrons. They want to sell enough food and drinks to cover your band and make a profit for the night. Playing to an empty club definitely won’t get you hired again.
6.) Don’t cater to the audience. Even though your adoring fans show up to support you, not everyone in the audience is there to see your band. Some people just like the establishment. Make that crowd react negatively with your music, volume, or antics, and you won’t play there again.
7.) Advertise other gigs on nights that compete with the current venue. You’ve got a gig tomorrow night at a competing club across town? Great! Your fans need to know it, but do it discretely. Announcing that gig on the microphone tells a club that you’re stealing their crowd. That’s bad business. Do it and you won’t be asked back.
What other tactics can you think of that ruin your chances of getting booked?
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